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MUSINGS FROM THE ETHER: DOES SHINY EQUAL BETTER?

Dale Wilson 1851 ambrotype antique Canada collodion dale wilson historical photo processes lens pictureology studio equipment tintype wetplate

MUSINGS FROM THE ETHER: DOES SHINY EQUAL BETTER?

The lens is the most important piece of equipment one needs to purchase, even more so than the camera. Typically the better quality the lens, the better quality the final image. Without doubt the beginning photographer has browsed every online forum that could be found, and kicked-tires on EBay looking for the coveted Dallmeyer, Darlot or Voigtlander, and observed prices that  are worthy of a holiday in the tropics. It would seem the shinier the brass, the higher the cost. a Darlot petzval lens from 1862  You have also seen words attached to those lenses that seem a foreign language:...

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MUSINGS FROM THE ETHER: DOES SIZE MATTER?

Dale Wilson ambrotype antique Canada Canadian collodion dale wilson historical photo processes pictureology tintype wetplate

MUSINGS FROM THE ETHER: DOES SIZE MATTER?

In our continuing search of discovering all things collodion, we have been bombarded with the self-induced question: Does size matter?

The long-and-short of it is yes, and no.

 

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MUSINGS FROM THE ETHER: IS COLLODION RIGHT FOR ME?

Dale Wilson 1851 ambrotype Canada Canadian collodion dale wilson Frederick Scott Archer glass negative glass plates historical photo processes pictureology tintype wetplate

MUSINGS FROM THE ETHER:   IS COLLODION RIGHT FOR ME?

wet plate photography is little different than digital captures, or E6 and C41 processes. Collodion at its very core is little more than another tool within the photographer’s tool chest from which to communicate a predetermined message.

 

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Standing Tall with the Head Brace

Dale Wilson ambrotype antique collodion dale wilson head brace headbrace historical photo processes pictureology studio studio equipment wetplate

Living quite a distance removed from the North American major population centres is a mixed blessing.  It also comes with challenges, such as accessing goods and services required for making wet plates. With that in mind I set out to design a head brace that was not only functional, but would also be light enough to not require a second mortgage in shipping costs.     Our head brace went through several versions before I was finally happy with the product. It is a head brace I have tested and use in my studio. The first realization was that if...

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Does the Modern Studio Have a Place in Wet Plate Collodion?

Dale Wilson ambrotype antique collodion dale wilson glass plates historical photo processes pictureology strobes studio tintype

Does the Modern Studio Have a Place in Wet Plate Collodion?

The Christmas Holiday season is a fabulous time of year to reflect on what is in the past, and ponder what the future might bring. For wet plate collodion photographers in the far northern hemisphere it is most likely also a time when one wishes for June and sufficient UV to be out making plates once again.  But is June really necessary?   Two days earlier it was 26°C with a UV Index of zero. Should the collodion photographer move inside the studio with modern equipment, or remain true to tradition and wait for June and workable ultra violet light?...

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